Toronto's Women's News Oct. 2002. Vol. 4 No. 9
Prolific author Josef Skvorecky's latest novel, An Inexplicable Story, is a
confounding literary mystery told in cryptic fragments and fictional
academic letters. Patient readers willing to wade through the initial
meandering obfuscation are rewarded as the book culminates in a series of
fascinating interconnected ideas.
An Inexplicable Story is framed as a text within a text. Professor Patrick
Oliver Enfield translates and publishes a recently discovered, albeit badly
damaged historical manuscript from the first century A.D. The text that
follows is a personal account by Roman Questus Firmus Siculus, and the
narrative is so fragmented that readers must piece together the gist of
Questus's story as if they themselves are literary historians.
Essentially, Questus is a young, adventurous Roman whose family is connected
with the poet Ovid. He spends time in the army, jokes with friends and
admires his mother in Oedipal regard. Importantly, Questus is a reader, and
while he at first reads Ovid's writing for mere scintillation, he soon
begins to make discoveries that lead him into political intrigue and sexual
scandal.
Professor Enfield's post narrative commentary provides welcome insight into
Questus's identity and story. The letters from spirited historians and
academics that follow raise intriguing questions about the text's
authenticity and in doing so project layers of ideas, context and meaning
onto the narrative.
Although serious in tone, there's a sense of play throughout the novel.
The author puts a series of puzzle pieces in front of us and then helps us
to assemble them at the very end to see something that's really quite
remarkable. The problem is in the process of actually getting to the end.
In one of his previous works, An Engineer of Human Souls, Skvorecky writes,
"There is something that falls short of perfection in every book, without
exception, something influenced by the age, even something ridiculous; just
like everyone, without exception, has weaknesses."
Although the second part of this novel is certainly a poignant read, instead
of captivating the reader with interest-piquing threads of the mystery from
the start, the section of the novel that forms the Questus narrative is
largely inaccessible. The fragment device is so disconnected and scattered,
so riddled with historical detail and factual data that at times it simply
fails to engage. Fragments stop mid-sentence, continuity is rough and
characters drop in and out with little development. Professor Enfield's
explanatory footnotes merely provide endless historical detail, failing to
elucidate in any meaningful way. Segments that do begin to let us see into
very human aspects of the characters' lives end abruptly and subsequent
sections invariably spin the reader off into something else entirely.
In the end, An Inexplicable Story is about the historical continuity of
literary themes, the interconnectivity of ideas, questions of truth and
authenticity, and the quest for knowledge. Ironically, Skvorecky's academic
characters and the exceptionally well-crafted post narrative discussion seem
to suggest that sometimes the stories and dialogue around a text can be just
as interesting, if not more so, than the text itself.
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